True/False Film Festival 2018 Day 3
After a difficult day two at the 2018 True/False Film Festival, there was a sense of lost time I was battling. Having only seen a handful of films in two…
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After a difficult day two at the 2018 True/False Film Festival, there was a sense of lost time I was battling. Having only seen a handful of films in two…
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The 2017 Oscars will be a hard year to top. Not only did the two best movies of the year duke it out for Best Picture, but they were both…
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As a child, like many others, I loved to play in the mud. We had a “sandpile” next to our barn that was about 25% sand with the rest dirt,…
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Suburbicon’s depiction of the 1950’s portrays an iconic American vision beneath the subterfuge of which lie corruption and moral decay. An uneven blend of social commentary and pulp fiction, the…
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Paris Blues has many shades, but only one is visible to us: a whole crew wrote and rewrote the script, and in receiving the reports on these various drafts, there…
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In the past two years, actor Taylor Sheridan has quickly fashioned a new role for himself in Hollywood. A man known mostly for his work in police procedurals and Sons…
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2010 was the year of Kathryn Bigelow. She became the first woman to win an Oscar for Best Director and her breakout indie The Hurt Locker scored a surprise win…
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[Ed. It has been a pleasure to follow Ron’s exhausting coverage of the festival. We’re blessed to have him on the team! A quick note: all feature photos were used…
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“If you didn’t sweat so much nobody’d take you for a landlord,” Fanny (Diana Sands) tells Elgar (Beau Bridges). “You could pass for a human being.” Actually, The Landlord does…
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Jordan Peele is best known for his comedy work on Mad TV and Key and Peele, but for his feature film debut he chose a decidedly different path. Get Out…
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